I like these words….!

DESIDERATUM –  something wanted or needed.

ORENDA –  a mystical force  present in all people that empowers them to affect the world or to effect changes in their own lives.

QUERENCIA – a place from which one’s strength is drawn, where one feels at home; the place where you find your most authentic self.

MERAKI- THE SOUL, CREATIVITY, OR LOVE PUT INTO SOMETHING; THE ESSENCE OF YOURSELF THAT IS PUT INTO YOUR WORK.

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Art Quote for the Day

Some more of my long lost notes….

Underpainting – an underpainting stimulates imagination . A black and white canvas is tedious and arouses very little initiative

Pigments for underpainting require little oil . It’s best to underpaint in neutral colors, grays or pinks.
For grays – use white lead and umber and prussian blue
For pinks – use white lead and venetian red

A midtone surface gives more flexibility than white as both dark and light will show up.
Thin color (glaze) is used for shadowand thick paint is used for highlights.

FLESH TONES
1. “basic” (caucasian) – equal parts burnt sienna & white
2. Add to ‘basic’ skin color for darker tones and variations – raw umber, cadmium red, alizarin crimson, cadmium yellow, lemon yellow ultramarine blue
3. for lighter white tones – white + burnt sienna & raw umber
+ cadmium red, burnt sienna
+ alizarin crimson & burnt sienna
+ burnt sienna & cadmium yellow
+ burnt sienna & lemon yellow
+ burnt sienna & ultramarine

Art Quote for the Day

I was cleaning out my storage shelves at school today and came across some handout sheets I’d forgotten about. I read over them and found them pretty interesting and helpful as far as painting goes…. I will post the information here hoping it will be helpful to others.

FYI – COLORS AND WHAT THEY DO

1. White mixed with other colors dulls their brilliance

2. Ultramarine blue  + white,viridian green, barium, naples yellow  = delicate atmospheric greens

+ ochres                                                                      = dull greens

+ cadmium yellow, zinc yellow                              = vivid greens

+ umber, white                                                         = grays

3. Prussian blue   + cadmium yellow                                                         = greens of great intensity

+ white                                                                             = silvery, bluish greens

+ burnt sienna                                                                = deep green

+ iron oxide reds & white                                             = grayish distant greens

+ naples yellow                                                               = cold luminous greens

+ ochre                                                                             = dull greens

+ umber, white,                                                              = all variations of warm or silvery grays

4. Naples yellow  +  black                                                                             = neutral greens

+ venetian reds,cadmium red , vermillion                =  warm pinks

5. Cadmium yellows + blues, blacks                                                          = greens

+ burnt sienna                                                          = more “fiery” sienna

6. Cadmium reds & vermillion + umber                                                   = duller reds

+ alizarin crimson                                  =  intensely fiery reds

GLAZING TIPS

1. Black and alizarin crimson make a deep velvety color suitable for glazing.

2. Pure viridian, alizarin crimson & burnt sienna are the most useful glazing colors”

3. The area to be glaze should be lightly moistened with painting medium.  Apply medium to surface and wipe with hand or brush to a thin layer

4. If dried layer is too shin ( oily or varnished) use FINEST  abrasive steel wool, or cheesecloth moistend with thurpentine – rub in parallel, horizontal strokes.

Structure and Imagery: In Process with Valerie Brennan

Structure and Imagery: In Process with Valerie Brennan.

I have posted this article today that I got through a blog that I follow…. I always enjoy seeing other artist’s studios and their work in progress.

I am struggling these days with what I want the purpose of this blog to be. Last year whenI started it I had a different intention in mind. I went through wanting it to be a self promotion type of site, then an educational site, an inspirational site, and now, lately , I’ve been finding articles and writings that I like so much I want to pass them on. Maybe they’re all one in the same and I just have to be more – uh – regular with posting.

Enjoy the article.

Art Quote for the Day

“I notice that students often start laying in colors and paint just to cover the canvas, without being very attentive to what’s going down–colors and values all over the map! They are feeling they want to get started and hope to refine it later. The problem is, the surface of the picture plane is so alive and active that every inattentive mark you put on it is taking you away from what you had intended to paint faster than you can possibly realize . It makes a lot of sense to try and get it right the first time as if it really mattered, moving intelligently right now toward your idea. And it really helps to have an idea. But just laying in paint as an unhelpful foundation completely confounds our ability to see what we’ve accomplished and where we need to go next. Every part is now reverberating with every other in a chaotic and confusing jumble, and trying to dig ourselves out of that mess may be too much for any painter.
This brings up 2 points.First, so much of what we do while we paint is a reflection of our character and shows us, for better or worse, and if we choose to perceive it, our true nature. Not taking time to lay in a strong and meaningful foundation may be something that manifests in other areas of our life. Art can be a remarkable feedback mechanism for our life.
This is not the same as trying to get it perfect. It justs means trying to get it as right as you can as you go along. “Right” means being aligned to your idea. Trying for perfection takes the life out of expression. to be continued………..

Creative Authenticity- 16 Principles to Clarify and Deepen Your Artistic Vision by Ian Roberts

Art Quote for the Day

“I know alot of students who are distracted by an artist’s color or painterliness. They want to paint like that.Yet what isn’t always clear is that, if the artist is any good , the color and bravado is embedded in a foundation . Jon Carlson, the landscape painter, said, “confidence of execution comes from practice and long experience.”

We can run into trouble comparing ourselves with another artist’s work when our temperament is completely different from his or hers, which means that we could never do what they do.

We can admire all manner of art and artists. We can learn from all kinds of paintings. But it is unproductive to compare and evaluate ourselves againt someone else’s work. What we’re trying to compare doesn’t. and it can be harshly discouraging to try.

Certainly it’s foolish to compare what you accomplished in an afternoon session at a painting class with a model whose pose you didn’t set, with ten other artists vying for a decent view with decent lighting, with a painter who was moved by an idea, hired a model specifically for achieving the idea, and set the stage, model and lighting to reflect his vision nd then had a week of six-hour days to accomplish it. The same would apply if you tried to compare a two-hour-on-location landscape with something that was done in the studio over several weeks with far more planning and adjusting than you can ever afford with a quick sketch.

Creative Authenticity by Ian Roberts

Art Quote for the Day

WHEW!!!!!!!

I just finished another Winterim session at my place of employment, Edgewood College in Madison WI. This is a 2 week long period of time that students can take classes and get a full semester’s worth of credit. We meet EVERYDAY  for 3 hours and I had one class in the morning and one class in the afternoon.  Six hours of classtime,  2 hours of prep-time, I was out of the house everyday at 7 am and home by 4:30 pm……. with maybe 30 minutes to gulp down some kind of lunch.

I’M EXHAUSTED!

4 days off , and then, the real semester starts and back at it!

I LOVE IT !!!

The Winterim is proof of  how much can actually get done in a very short time if that time is concentrated and focused. It is proof of what students are capable of learning and doing in that same amount of quality time.

The morning class I taught was in Figure Drawing. Drawing the nude…. everyday a live model, everyday a new set of skills to be learned: proportion, measuring ,bone structure, musculature,modelling 3-dimensional form, gesture/motion, media,patience, focus, imagination. We ended today with a 2 hour long pencil drawing of 2 poses in one drawing that related to each other in some way. Students had to draw a sitting pose and a standing pose that would relate to each other , switching back and forth about every 5 minutes….. After only 9 days of intense instruction and LOTS of practice they all managed to complete a pretty accomplished drawing! Some of the students had never had a drawing course before so I’m pretty proud of them!

The afternoon class was called Art Structure and it is specifically for NON-ART majors. Again, everyday , a new set of skills and information: drawing, color theory, design, painting, abstraction, printmaking, sculpture….. total chaos everyday…. CREATIVE CHAOS! And , once again, the work completed was fantastic.

Some of the work is posted here Enjoy!….

Art Quote of the Day

Does anyone else have this “issue” ?  I have the most beautiful studio…… we built an addition onto our house a few years ago.  Tall windows – 8 ft. with small panes that look out on my beautiful garden. Lots of room…. of course with great light. BUT…… with this EXTREMELY COLD WEATHER we’re having it’s VERY,VERY,VERY cold in there. The room is off the kitchen, heated only from the heat that fills the rest of our little house but the room has no heat source of its own. Needless to say , I’m not very motivated to go into that room and paint. It’s not that I’m not feeling creative ….. I’m restless with ideas and desire to get to work but , really, THE COLD!!!!  I have been able to work for a couple hours before getting sooooooooooo chilled that I had to stop but that was when the temperature was at least above freezing. With this EXTREME cold, -50 degrees wind chill  factor , well, I’m discouraged.

I will dress as if I were going outside …. a few layers , boots, maybe even a hat…. see how long I can stand it. I can bring some acrylics into my living room and work at the coffee table I suppose but I have big oil paintings in progress in the studio that I really want to work on.

I should have begun teaching classes today but cancelled because of the horrible cold…. so I have one extra day  of “vacation” to ‘enjoy’. Hmmmmmmmmmmmmmmmmmmmm….. what shall I do ? what shall I do?  Chant and meditate on the fact that

I HATE WINTER…… OHMMMMMMM……..

Thanks by the way  for everyone’s well – wishes about my lost sketchbook. UPDATE! It  hasn’t been found or turned in …. it’s just gone….. in the wind…. in someone else’s possession (, ENJOY! ),  in a landfill somewhere ( that’s what hurts the most) , and I’ve pretty much just resigned myself to it’s loss. Que sera – sera !

STAY WARM EVERYBODY !

Art Quote for the Day

And once again, the time has gone by SUPERFAST and I find myself at the end of another semester. Projects DONE, grading DONE,cleaning up the art room messes, almost done! A few weeks of a much welcome break where I can really focus on my own painting , and then back at it again!
I was thinking the other night,( while attending a senior seminar where students I had as Freshman and are now about to graduate, had to present their work to an audience and talk about it), that it’s a great thrill to watch these individuals come into our school as these young Freshmen, watch them make it through all their trials and tribulations and then  see and hear them be so articulate about their work at the  end of it all. Somewhere deep down inside I’m always hoping that maybe, in their talks, they’ll mention me…. that I made a difference and when they don’t I have always felt a little sad. BUT, after seeing this presentation the other night I realized there are no thanks needed. My job is to instruct them in the basic foundations courses that are required . In return they inspire me in so many ways , I ‘m never bored. My own personal mission is to create for them an atmosphere of creativity and fearlessness so that they can INDEED go on to create a fantastic portfolio of work . I’m a small part of a bigger picture that includes all of my fellow faculty members, all doing the hard work that it takes to get these young people ready for the real world. And I’m so very happy to be a part of it.

Now, with the holiday break starting, I will take off a few days to do stuff other than school stuff but I’m already sort of thinking about new assignments, projects, and visual examples. I’m looking forward to the first day of classes when I get to meet new students and re-connect with old….

I just Love this Life of Mine!!!!