Seven Secrets to Unleashing Your Inner Genius

Embrace Opposing Forces 

Highly creative people tend to welcome paradoxes, melding two seemingly contradictory ideas that lead to greater innovation.”There are a lot of so-called dichotomies that aren’t really dichotomies at all,” says Kaufman. For example, when it comes to the creative process, there’s no sharp  demarcation between work and play. Other lines blur as well.  “People who are really creative are good at trusting and having faith in their intuition but also at being rational in their analysis of whether or not something is correct.”  Strength  and sensitivity also seem contradictory, but the distinction may not always be so clear. ” Creative people tend to have extraordinary sensitivity but also are capable of staying true to their values, even in challenging environments.” Highly creative people have a tendency for post-traumatic growth, an ability to learn from distressing experiences.

Dr. Scott Barry Kaufman

Courtney Mifsud

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Seven Secrets to Unleashing Your Creative Genius by Dr. Scott Barry Kaufman

BE OPEN TO NEW EXPERIENCES

According to Kaufman you need to create a space where you can discover things about yourself, and that is most likely to happen when you leave yourself open to new experiences. And what exactly does that mean?  At the core it’s ” the drive for exploration and curiosity, and the constant temptation to get outside your comfort zone and embrace the unknown, ” Kaufman explains.  “In your everyday life you could be open to new experiences in any moment.  Try as best as you can to keep your prior stereotypes and anxieties to yourself and try not to impart them into the world. Try to see things as they truly are and be curious about everything. Be curious about ANYTHING.

Seven Secrets to Unleashing Your Inner Genius Dr. Scott Barry Kaufman

2.  Understand the Bias.

Whether they’re in elementary school or a corporate office space, people who think and process in unique or creative ways might feel stifled by conforming to traditional means of production output.  “We do seem to be biased in most schools and workplaces against individual expression and unique choice,” says Kaufman. “That sort of standardization of behavior is really a Killer of Creativity.” How can students and nine to fivers overcome confining and rigid structures? By trusting in your own intuition when you show enthusiasm or excitement in something new, and then finding some kind of outlet to express it

A CREATIVE EXERCISE TO TRY

I teach drawing and design and one of the first sketchbook assignments I give to the students is to pick a shape and draw it 50 times 50 different ways. This gets their imagination flowing and allows them to address different design concepts we’ve discussed; line,value,variety , etc.

I myself engage in this exercise often, making a several variations of a shape . I have posted the many variations on a shape….. there are definitely more I could come up with.. color being an additional aspect I have even touched yet. try it yourself with a shape of your own choosing.

Do you see the basic shape I started with and it’s variations throughout all the sketches?

LEARNING FROM DaVINCI……..BE OPEN TO MYSTERY

Not everything needs sharp lines. The 15th. century of Leonardo and Columbus and Gutenberg was a  time of invention ,exploration, and the spread of knowledge by new technologies.  In short, it was a time like our own.  That is why we have much to learn from Leonardo.  His ability to combine art, science, technology, the humanities and imagination remains an enduring recipe for creativity.  So, too, is the ease with which he was a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily  distracted and at times heretical.  Florence flourished in the 15th century because it was comfortable with such people.  Above all, Leonardo’s relentless curiosity and experimentation should remind us of the importance of instilling in both ourselves and our children, not just received knowledge but also a willingness to question  it – to be imaginative and , like talented misfits and rebels in any era, TO THINK DIFFERENT

from the book, Leonardo , by Walter Isaacson 2017

Art Quote for the Day

Some more of my long lost notes….

Underpainting – an underpainting stimulates imagination . A black and white canvas is tedious and arouses very little initiative

Pigments for underpainting require little oil . It’s best to underpaint in neutral colors, grays or pinks.
For grays – use white lead and umber and prussian blue
For pinks – use white lead and venetian red

A midtone surface gives more flexibility than white as both dark and light will show up.
Thin color (glaze) is used for shadowand thick paint is used for highlights.

FLESH TONES
1. “basic” (caucasian) – equal parts burnt sienna & white
2. Add to ‘basic’ skin color for darker tones and variations – raw umber, cadmium red, alizarin crimson, cadmium yellow, lemon yellow ultramarine blue
3. for lighter white tones – white + burnt sienna & raw umber
+ cadmium red, burnt sienna
+ alizarin crimson & burnt sienna
+ burnt sienna & cadmium yellow
+ burnt sienna & lemon yellow
+ burnt sienna & ultramarine

Art Quote for the Day

I was cleaning out my storage shelves at school today and came across some handout sheets I’d forgotten about. I read over them and found them pretty interesting and helpful as far as painting goes…. I will post the information here hoping it will be helpful to others.

FYI – COLORS AND WHAT THEY DO

1. White mixed with other colors dulls their brilliance

2. Ultramarine blue  + white,viridian green, barium, naples yellow  = delicate atmospheric greens

+ ochres                                                                      = dull greens

+ cadmium yellow, zinc yellow                              = vivid greens

+ umber, white                                                         = grays

3. Prussian blue   + cadmium yellow                                                         = greens of great intensity

+ white                                                                             = silvery, bluish greens

+ burnt sienna                                                                = deep green

+ iron oxide reds & white                                             = grayish distant greens

+ naples yellow                                                               = cold luminous greens

+ ochre                                                                             = dull greens

+ umber, white,                                                              = all variations of warm or silvery grays

4. Naples yellow  +  black                                                                             = neutral greens

+ venetian reds,cadmium red , vermillion                =  warm pinks

5. Cadmium yellows + blues, blacks                                                          = greens

+ burnt sienna                                                          = more “fiery” sienna

6. Cadmium reds & vermillion + umber                                                   = duller reds

+ alizarin crimson                                  =  intensely fiery reds

GLAZING TIPS

1. Black and alizarin crimson make a deep velvety color suitable for glazing.

2. Pure viridian, alizarin crimson & burnt sienna are the most useful glazing colors”

3. The area to be glaze should be lightly moistened with painting medium.  Apply medium to surface and wipe with hand or brush to a thin layer

4. If dried layer is too shin ( oily or varnished) use FINEST  abrasive steel wool, or cheesecloth moistend with thurpentine – rub in parallel, horizontal strokes.

Structure and Imagery: In Process with Valerie Brennan

Structure and Imagery: In Process with Valerie Brennan.

I have posted this article today that I got through a blog that I follow…. I always enjoy seeing other artist’s studios and their work in progress.

I am struggling these days with what I want the purpose of this blog to be. Last year whenI started it I had a different intention in mind. I went through wanting it to be a self promotion type of site, then an educational site, an inspirational site, and now, lately , I’ve been finding articles and writings that I like so much I want to pass them on. Maybe they’re all one in the same and I just have to be more – uh – regular with posting.

Enjoy the article.